They've announced that "due to administrative issues" they're not going to extend the number of spots in the translation seminar, so those of us who didn't manage to sign up are SOL and have to sign up for other ones. I managed to snag a spot in the "Friendship in 19th Century British Literature" group, which is... well, sucky beyond belief. But in the interests of keeping my sanity and actually being able to function and attend classes, I'm going to try and make the best of it. I need to go to the dean's office tomorrow to find out how it works when you have someone else as your advisor (because it's possible to do that), whether you have to basically do double the work—both the seminar stuff in something you're not interested in, and the research for the thesis, or whether your advisor grades your work and the other instructor just inputs it, or what.
If it's possible not to do double the work, I'll have to do some more work over the weekend and write an actual thesis proposal so I can take it to the instructor I want to ask to be my advisor, and then get started on formalizing the paperwork. If it's not possible, I may attempt it anyway, provided I can get a clear answer on the "how does it work" front. And the worst case scenario is that I won't do a translation MA, and will have to redirect my efforts and try to get a bit more interested in literature again.
I read the seminar description in more detail tonight, and if I get stuck in the worst case scenario, there are possible glimmers of hope in the part about what we can write about:
Friendship in 19th-Century British Literature
In the seminar, the emphasis falls on the literary realizations of the theme of friendship in 19th-century British fiction. However, the modernist and contemporary realizations of the theme of friendship will also be considered. Thus, with the theoretical basis in cultural studies, the students’ theses can also be written with the focus on contemporary popular fiction as exemplified by the works of Tom Holland (retreat into coteries, secret societies in contemporary gothic: The Vampire, Deliver us from Evil, Supping with Panthers).
Theoretical references: In the seminar the discourse of friendship it is approached (1) from the critical perspective of cultural materialism and New historicism, as a cultural, historical and political construct, and (2) from the philosophical perspective, as an important concept in ethics. Thus, it is viewed as a concept evolving in the debate conducted within the sphere of philosophical ethics beginning from the classical ideals of friendship (Plato’s, Aristotle’s, Cicero’s) , to medieval Christian (St. Aquinas), to Montaigne, to Kant’s taxonomy, finally, to contemporary consideration of friendship in the works of Gadamer, Derrida, and Agamben. However, there will also be considered works of the philosophers who do not discuss friendship as such, but rather human relationships within a broader ethical perspective of responsibility (Levinas) and solidarity (Rorty). The philosophical questions concerning friendship will include the problems of taxonomy of friendship and other relationships (C. S. Lewis, Aristotle, Kant), and the issue such as, for example, utilitarian and ideal friendship, disclosure in friendship, ending friendship, another self-in friendship, moral limits to friendship, self-sufficiency, celebrating sameness and difference, self-love, self- delusion, pride, vainglory and justice in friendship.
So, you know, if contemporary popular fiction is allowed, maybe I can do something with that.
*cries* I should have known something like this would happen. I got my hopes up, I got too far ahead of myself, and now I'm paying for it. But I'm not going to let the last three years go to waste, goddammit. I will not let this get to me. I WILL NOT LET THIS BREAK ME.
And if it doesn't work out my way, maybe I'll just set the building on fire.